Pride and Prejudice (2005): A Romantic Drama Film Based on Jane Austen's Novel
If you are a fan of classic literature, romance, or period drama, you might have heard of or seen Pride & Prejudice, a 2005 film directed by Joe Wright and based on Jane Austen's 1813 novel of the same name. The film features five sisters from an English family of landed gentry as they deal with issues of marriage, morality, and misconceptions in the early 19th century. Keira Knightley stars in the lead role of Elizabeth Bennet, while Matthew Macfadyen plays her romantic interest Mr. Darcy.
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In this article, we will explore the story, the production, the themes, and the reception of this film adaptation that has captivated millions of viewers around the world.
The Story of Pride and Prejudice
The Bennet Family
The film introduces us to the Bennet family, who live in a modest estate called Longbourn in rural England. The family consists of Mr. Bennet (Donald Sutherland), a witty but passive gentleman; Mrs. Bennet (Brenda Blethyn), a nervous and talkative woman obsessed with finding suitable husbands for her daughters; Jane (Rosamund Pike), the eldest and most beautiful daughter who is kind, gentle, and reserved; Elizabeth (Keira Knightley), the second eldest and most spirited daughter who is intelligent, witty, and independent; Mary (Talulah Riley), the middle daughter who is studious, plain, and solemn; Kitty (Carey Mulligan), the fourth daughter who is frivolous, flirtatious, and easily influenced; and Lydia (Jena Malone), the youngest and most reckless daughter who is lively, impulsive, and naive.
The Bennet sisters have a close bond with each other, but they also have different personalities, opinions, and aspirations. Their main concern, however, is to find love and marriage in a society where their options are limited by their low social status and their lack of fortune.
Mr. Bingley and Mr. Darcy
The plot of the film is set in motion when two wealthy gentlemen arrive in the neighborhood: Mr. Bingley (Simon Woods), a friendly and cheerful young man who rents a large estate called Netherfield; and Mr. Darcy (Matthew Macfadyen), a proud and aloof aristocrat who is Bingley's close friend and advisor.
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Mr. Bingley soon becomes smitten with Jane Bennet, whom he meets at a local ball. He invites her to visit him at Netherfield, where she falls ill and has to stay for a few days. Elizabeth goes to Netherfield to take care of her sister, where she encounters Mr. Darcy, who initially shows disdain and indifference towards her. He later admits to Bingley that he finds Elizabeth attractive, but he discourages him from pursuing Jane, whom he considers too inferior for his friend.
Elizabeth and Darcy
Elizabeth and Darcy are the main protagonists of the film, and their relationship is the central focus of the story. They are both strong-willed, opinionated, and prejudiced against each other. They also share a mutual attraction that they try to deny or resist.
Elizabeth dislikes Darcy for his arrogance, his interference in Jane and Bingley's relationship, and his mistreatment of Mr. Wickham (Rupert Friend), a charming but unscrupulous soldier who claims to have been wronged by Darcy in the past. She also rejects Darcy's first proposal of marriage, which he makes in a haughty and insulting manner.
Darcy admires Elizabeth for her intelligence, her liveliness, and her beauty. He also respects her honesty, her courage, and her loyalty to her family. He tries to improve himself after Elizabeth's rejection, and he proves his love for her by saving her sister Lydia from disgrace, by arranging Jane and Bingley's reconciliation, and by accepting Elizabeth's relatives despite their vulgarity.
The Conflicts and Complications
The film depicts several conflicts and complications that prevent Elizabeth and Darcy from expressing their true feelings for each other. Some of these are external, such as social class, family interference, misunderstandings, and scandals; while others are internal, such as pride, prejudice, fear, and pride.
Some examples of these conflicts and complications are:
The difference in social class between Elizabeth and Darcy: Elizabeth belongs to the gentry class, which is lower than the aristocracy class that Darcy belongs to. This creates a gap in their manners, expectations, and values.
The interference of Lady Catherine de Bourgh (Judi Dench): Lady Catherine is Darcy's aunt and patroness of Mr. Collins (Tom Hollander), a pompous clergyman who is Elizabeth's cousin and suitor. She disapproves of Elizabeth as a potential match for Darcy, and she tries to intimidate her into rejecting him.
The misunderstanding about Jane's feelings for Bingley: Darcy assumes that Jane does not love Bingley as much as he loves her because she does not show much emotion or enthusiasm. He convinces Bingley to leave Netherfield without proposing to Jane.
The scandal involving Lydia and Wickham: Lydia elopes with Wickham without being married, which puts her reputation and her family's honor at risk. Wickham also turns out to be a liar and a gambler who has debts and scandals all over the country.
The pride of Elizabeth: Elizabeth is proud of her intelligence, her wit, and her independence. She does not want to marry for money or convenience. She also does not want to admit that she was wrong about Darcy or that she loves him.
The prejudice of Darcy: Darcy is prejudiced against people who are below his social rank or who do not conform to his standards of propriety. He also does not want to acknowledge that he was rude or unjust towards Elizabeth or Wickham.</li The Resolution and Happy Ending
The film reaches its climax when Elizabeth and Darcy finally overcome their pride and prejudice, and confess their love for each other. They also clear up the misunderstandings and the obstacles that have kept them apart.
Elizabeth learns the truth about Darcy's role in Lydia's elopement, and how he paid off Wickham to marry her and save her reputation. She also learns that Darcy persuaded Bingley to return to Netherfield and propose to Jane, who happily accepts him. She realizes that Darcy has changed for the better, and that he loves her despite her flaws and her family's shortcomings.
Darcy learns that Elizabeth has rejected Mr. Collins' proposal, and that she is not engaged to anyone else. He also learns that Elizabeth respects and admires him for his actions, and that she is grateful for his generosity and kindness. He realizes that Elizabeth has taught him to be more humble, more open, and more compassionate.
Elizabeth and Darcy meet again at Pemberley, Darcy's estate, where they declare their mutual affection and agree to marry. They also receive the blessing of Mr. Bennet, who is happy for his daughter's happiness and his son-in-law's character. They also face the opposition of Lady Catherine, who tries to stop their marriage, but fails to do so.
The film ends with a romantic scene of Elizabeth and Darcy kissing under the stars, as they look forward to their future together.
The Production of Pride and Prejudice
The Director and Screenwriter
Pride & Prejudice was directed by Joe Wright, who made his feature film debut with this project. Wright was chosen by the producers because of his experience in directing period dramas for television, such as Charles II: The Power and the Passion (2003) and Bodily Harm (2002). Wright wanted to make a fresh and realistic adaptation of Austen's novel, that would appeal to a modern audience.
The screenplay was written by Deborah Moggach, who had previously written scripts for films such as The Diary of Anne Frank (1987) and The Best Exotic Marigold Hotel (2011). Moggach faced the challenge of condensing a 400-page novel into a two-hour film, while preserving its essence and its humor. She also had to make some changes and cuts to the original story, such as omitting some minor characters, simplifying some subplots, and adding some scenes that were not in the book.
The Casting and Acting
The casting of the film was a crucial process, as the actors had to fit the roles of the iconic characters from Austen's novel. The producers auditioned hundreds of actors for the main roles, before settling on their final choices.
Keira Knightley was cast as Elizabeth Bennet, after impressing Wright with her audition tape. Knightley was 19 years old at the time, which was close to Elizabeth's age in the book. She also had a natural beauty, a lively spirit, and a strong personality that suited the character. Knightley prepared for the role by reading Austen's novel several times, studying the manners and speech of the period, and practicing horse riding.
Matthew Macfadyen was cast as Mr. Darcy, after Wright saw him in the BBC series Spooks (2002-2011). Macfadyen was 30 years old at the time, which was older than Darcy's age in the book. He also had a tall stature, a handsome face, and a deep voice that matched the character. Macfadyen prepared for the role by reading Austen's novel once, studying the history and culture of the period, and working on his posture and expression.
The other actors who played the Bennet sisters were Rosamund Pike as Jane, Talulah Riley as Mary, Carey Mulligan as Kitty, and Jena Malone as Lydia. They were chosen for their resemblance to each other, their chemistry with each other, and their suitability for their roles. They spent several weeks together before filming began, bonding as sisters and rehearsing their scenes.
The other actors who played the main supporting roles were Donald Sutherland as Mr. Bennet, Brenda Blethyn as Mrs. Bennet, Simon Woods as Mr. Bingley, Rosamund Pike as Jane, Talulah Riley as Mary, Carey Mulligan as Kitty, and Jena Malone as Lydia. They were chosen for their resemblance to each other, their chemistry with each other, and their suitability for their roles. They spent several weeks together before filming began, bonding as sisters and rehearsing their scenes.
The other actors who played the main supporting roles were Donald Sutherland as Mr. Bennet, Brenda Blethyn as Mrs. Bennet, Simon Woods as Mr. Bingley, Rupert Friend as Mr. Wickham, Tom Hollander as Mr. Collins, Judi Dench as Lady Catherine de Bourgh, and Kelly Reilly as Caroline Bingley. They were all experienced and acclaimed actors who brought their own interpretations and nuances to their characters.
The film also featured many other actors who played minor or cameo roles, such as Claudie Blakley as Charlotte Lucas, Elizabeth's best friend; Penelope Wilton as Mrs. Gardiner, Elizabeth's aunt; Peter Wight as Mr. Gardiner, Elizabeth's uncle; Tamzin Merchant as Georgiana Darcy, Darcy's sister; and Cornelius Booth as Colonel Fitzwilliam, Darcy's cousin.
The acting of the film was praised by critics and audiences alike, who appreciated the authenticity, the emotion, and the chemistry of the cast. The film also received four Oscar nominations for its performances: Best Actress for Keira Knightley, Best Supporting Actress for Brenda Blethyn, Best Art Direction for Sarah Greenwood and Katie Spencer, and Best Costume Design for Jacqueline Durran.
The Setting and Costume Design
Pride & Prejudice was shot entirely on location in England, using various historic houses, estates, parks, villages, and landmarks as the settings for the film. The film aimed to recreate the look and feel of the early 19th century, with attention to detail and accuracy.
Some of the locations that were used in the film are:
Chatsworth House in Derbyshire: This was used as Pemberley, Darcy's estate. It is one of the most famous and grandiose stately homes in England, and it has a long history and a rich collection of art and furniture.
Groombridge Place in Kent: This was used as Longbourn, the Bennet family's home. It is a moated manor house that dates back to the 17th century, and it has a rustic and cozy charm.
Basildon Park in Berkshire: This was used as Netherfield, Bingley's rented estate. It is a Palladian mansion that was built in the 18th century, and it has a elegant and refined style.
Burghley House in Lincolnshire: This was used as Rosings Park, Lady Catherine de Bourgh's estate. It is a Tudor mansion that was built in the 16th century, and it has a imposing and majestic appearance.
Stourhead in Wiltshire: This was used as the location for Darcy's first proposal to Elizabeth. It is a landscaped garden that features a lake, a temple, a bridge, and a grotto.
The costume design of the film was also an important aspect of the production, as it reflected the period and the characters of the film. The costumes were designed by Jacqueline Durran, who won an Oscar for her work on Atonement (2007), another film directed by Joe Wright.
The costumes were based on research from paintings, portraits, fashion plates, books, and museums from the early 19th century. They also incorporated some creative choices and modern influences to make them more appealing and relatable to contemporary viewers.
Some examples of the costumes are:
Elizabeth's green dress: This was worn by Elizabeth when she visits Pemberley with her aunt and uncle. It is a simple but elegant dress that has a empire waistline, a low neckline, and a green color that matches her eyes and the scenery.
Darcy's blue coat: This was worn by Darcy when he meets Elizabeth at Pemberley. It is a tailored coat that has a high collar, a double-breasted front, and a blue color that contrasts with his white shirt and cravat.
Jane's pink dress: This was worn by Jane when she attends the ball at Netherfield. It is a delicate and feminine dress that has a lace overlay, a ribbon sash, and a pink color that complements her fair complexion and blonde hair.
Bingley's yellow waistcoat: This was worn by Bingley when he proposes to Jane. It is a bright and cheerful waistcoat that has a floral pattern, a buttoned front, and a yellow color that reflects his sunny personality and his happiness.
Lydia's red dress: This was worn by Lydia when she elopes with Wickham. It is a bold and daring dress that has a ruffled hem, a low-cut bodice, and a red color that signifies her passion and impulsiveness.
The Music and Soundtrack
The music and soundtrack of the film were composed by Dario Marianelli, who also worked with Joe Wright on Atonement (2007) and Anna Karenina (2012). Marianelli created an original score for the film, using mainly piano and strings as the main instruments.
The music of the film was inspired by the classical composers of the early 19th century, such as Beethoven, Mozart, Schubert, and Chopin. It also incorporated some folk elements, such as dances, songs, and tunes from the English countryside. The music aimed to capture the mood and emotion of the film, as well as the character and personality of Elizabeth and Darcy.
Some examples of the music are:
Dawn: This is the main theme of the film, which plays during the opening credits and several other scenes. It is a slow and gentle piano piece that evokes the sunrise, the nature, and the hope of a new day.
Liz on Top of the World: This is the theme of Elizabeth, which plays when she stands on a cliff overlooking Pemberley. It is a fast and lively piano piece that expresses her joy, her freedom, and her curiosity.
Georgiana: This is the theme of Georgiana Darcy, which plays when she plays the piano for Elizabeth at Pemberley. It is a soft and sweet piano piece that reflects her innocence, her shyness, and her kindness.
Leaving Netherfield: This is the theme of Jane and Bingley, which plays when they part ways after the ball at Netherfield. It is a sad and tender string piece that conveys their love, their sorrow, and their longing.
Your Hands Are Cold: This is the theme of Elizabeth and Darcy, which plays when they kiss under the stars at the end of the film. It is a romantic and passionate string piece that celebrates their love, their acceptance, and their happiness.
The soundtrack of the film also features some songs that were performed by the actors or played in the background during some scenes. Some examples of these songs are:
A Postcard to Henry Purcell: This is an instrumental song that was played during the dance scene between Elizabeth and Darcy at Netherfield. It is based on a theme by Henry Purcell, a 17th century English composer.
Meryton Townhall: This is an instrumental song that was played during the first ball scene at Meryton. It is based on a traditional English country dance tune called "The Soldier's Joy".
The Secret Life of Daydreams: This is an instrumental song that was played during the scene where Elizabeth reads Darcy's letter at the Collins' house. It is a melancholic and dreamy piano piece that reflects Elizabeth's thoughts and feelings.
Another Dance: This is an instrumental song that was played during the second ball scene at Netherfield. It is based on a traditional English country dance tune called "Mr. Beveridge's Maggot".
Stars and Butterflies: This is an instrumental song that was played during the scene where Elizabeth and Darcy walk together in the morning after their engagement. It is a cheerful and whimsical piano piece that symbolizes their happiness and their future.
The Themes and Messages of Pride and Prejudice
Realism vs. Romanticism
One of the themes of the film is the balance between realism and romanticism in its depiction of love, marriage, and society. The film shows the realistic aspects of life in the early 19th century, such as the social hierarchy, the economic pressure, the moral standards, and the gender roles. It also shows the romantic aspects of life, such as the personal feelings, the individual choices, the emotional expression, and the happy endings.
The film does not idealize or criticize either realism or romanticism, but rather presents them as complementary and necessary for a fulfilling life. The film suggests that love and marriage should be based on both reason and passion, on both compatibility and attraction, on both respect and affection. The film also suggests that society should be more tolerant and flexible, allowing people to pursue their own happiness and destiny.
Pride vs. Prejudice
Another theme of the film is the exploration of the concepts of pride and prejudice, both as personal traits and as social barriers. The film shows how pride and prejudice can affect people's judgments, actions, and relationships. Pride can make people arrogant, stubborn, or defensive; while prejudice can make people biased, ignorant, or hostile.
The film also shows how pride and prejudice can be overcome by self-awareness, communication, and understanding. Pride can be softened by humility, honesty, or apology; while prejudice can be challenged by evidence, experience, or empathy. The film demonstrates that pride and prejudice are not innate or permanent, but rather learned or changeable.
Family vs. Individuality
A third theme of the film is the portrayal of the importance of family, but also the need for individuality and self-respect. The film shows how family can provide support, guidance, and comfort; but also how family can cause pressure, interference, or embarrassment. Family can be a source of happiness or a source of conflict.
The film also shows how individuality can provide freedom, identity, and dignity; but also how individuality can cause isolation, rejection, or criticism. Individuality can be a source of strength or a source of weakness.
The film does not advocate for either family or individuality, but rather for a balance between them. The film implies that family and individuality are not mutually exclusive or incompatible, but rather mutually beneficial and compatible. The film encourages people to value their family ties, but also to value their personal goals; to respect their family opinions, but also to respect their own opinions; to love their family members, but also to love themselves.
The Reception and Legacy of Pride and Prejudice
The Critical Response
Pride & Prejudice received generally positive reviews from critics, who praised its performances, direction, script, cinematography, music, and overall quality. The film has a rating of 86% on Rotten Tomatoes, based on 206 reviews, with an average score of 7.6/10. The website's critical consensus reads: "Sure, it's another adaptation of cinema's fave Jane Austen novel, but key performances and a modern filmmaking sensibility make this familiar period piece fresh and enjoyable."
Some of the critics who gave positive reviews are:
Roger Ebert of the Chicago Sun-Times, who gave the film four out of four stars and wrote: "The movie is more robust than most period romances; it is not afraid of passion and honest emotion. It is not a pallid Jane Austen puppet show, but a film that actually breathes."
Manohla Dargis of The New York Times, who wrote: "This latest adaptation ... is at once true to the spirit of the great English novelist and very much its own creature. It is also an unequivocal delight."
David Ansen of Newsweek, who wrote: "This Pride & Prejudice is a joy from start to finish. It's a movie that understands why we love Jane Austen."
Some of the critics who gave negative reviews are:
Rex Reed of The New York Observer, who wrote: "This is not Jane Austen. This is a Cliffs Notes version for people with short attention spans who think in sound bites."
Richard Schickel of Time, who wrote: "The movie is too long by at least 20 minutes and too dependent on close-ups that give us time to ponder how much prettier Keira Knightley is than anyone else on screen."
Stephanie Zacharek of Salon.com, who wrote: "This Pride & Prejudice isn't bad; it's just unnecessary. And it's not nearly as smart as its heroine."
The Audience Response
Pride & Prejudice appealed to a younger, mainstream audience, who enjoyed its romance, humor, drama, and style. The film was a commercial success, grossing $121.1 million worldwide against a budget of $28 million. The film also attracted a loyal fan base, who created websites, blogs, forums, fan fiction, fan art, and other forms of online and offline expression to celebrate and discuss the film.
The film also sparked some debates and comparisons among fans of Jane Austen and her previous adaptations. Some fans preferred this film over other versions, such as the 1995 BBC miniseries starring Jennifer Ehle and Colin Firth; while others criticized this film for being too modern or too different from the book or the miniseries. Some fans also had different opinions on the actors who played Elizabeth and Darcy, such as Keira Knightley vs. Jennifer Ehle or Matthew Macfadyen vs. Colin Firth.
The film also inspired some parodies and references in other media, such as Bride & Prejudice (2004), a Bollywood musical adaptation; The Lizzie Bennet Diaries (2012-2013), a web series adaptation; Pride and Prejudice and Zombies (2016), a horror comedy adaptation; and Bridget Jones's Diary (2001), a romantic comedy loosely based on the book.
The Awards and Nominations
Pride & Prejudice earned four Oscar nominations at the 78th Academy Awards: Best Actress for Keira Knightley; Best Art Direction for Sarah Greenwood and Katie Spencer; Best Costume Design for Jacqueline Durran; and Best Original Score for Dario Marianelli. The film did not win any Oscars, but it won several other awards and nominations from various organizations.
Some examples of these awards and nominations are:
The BAFTA Awards: The film won two awards out of six nominations: Best Actress in a Leading Role for Keira Knightley; and Best Production Design for Sarah Greenwood and Katie Spencer.
The Golden Globe Awards: The film received four nominations : Best Motion Picture Drama; Best Actress in a Motion Picture Drama for Keira Knightley; Best Director for Joe Wright; and Best Original Score for Dario Marianelli.
The Screen Actors Guild Awards: The film received two nominations: Outstanding Performance by a Female Actor in a Leading Role for Keira Knightley; and Outstanding Performance by a Cast in a Motion Picture.
The Critics' Choice Awards: The film won one award out of four nominations: Best Composer for Dario Marianelli. It was also nominated for Best Picture, Best Actress for Keira Knightley, and Best Young Actress for Jena Malone.
The Satellite Awards: The film won three awards out of eight nominations: Best Actress in a Motion Picture, Drama for Keira Knightley; Best Art Direction and Production Design for Sarah Greenwood and Katie Spencer; and Best Costume Design for Jacqueline Durran. It was also nominated for Best Motion Picture, Drama; Best Director for Joe Wright; Best Adapted Screenplay for Deborah Moggach; and Best Original Score for Dario Marianelli.
Conclusion
In conclusion, Pride & Prejudice is a romantic drama film that is based on Jane Austen's novel of the same name. It tells the story of Elizabeth Bennet and Mr. Darcy, two lovers who have to overcome their pride and prejudice to find happiness. The film features a talented cast, a faithful script, a beautiful setting, a captivating music, and a timeless message. The film received positive reviews from critics and audiences, and earned several awards and nominations. The film is a must-watch for fans of Jane Austen, romance, or period drama.
If you are interested in watching or rewatching this film, you can find it on various streaming platforms, such as Netflix, Amazon Prime Video, Hulu, or YouTube. You can also download it for free from some websites, such as [Movies123] or [Fmovies]. However, be careful of the quality and the legality of these sources, as they may contain viruses or malware, or violate the copyright laws.
We hope you enjoyed this article and learned something new about Pride & Prejudice. If you have any questions or comments, feel free to leave them below. Thank you for reading!
FAQs
Q: When was Pride & Prejudice published?
A: Pride & Prejudice was published in 1813, although it was written between 1796 and 1797. It was Jane Austen's second novel, after Sense & Sensibility (1811).
Q: How many adaptations of Pride & Prejudice are there?
A: There are many adaptations of Pride & Prejudice in different media, such as films, television series, stage plays, musicals, operas, ballets, radio dramas, video games, comics, novels, etc. Some of the most famous ones are the 1940 film starring Greer Garson and Laurence Olivier; the 1995 BBC miniseries starring Jennifer Ehle and Colin Firth; the 2005 film starring Keira Knightley and Matthew Macfadyen; and the 2016 novel and film Pride and Prejudice and Zombies.
Q: What is the meaning of the title Pride & Prejudice?
A: The title Pride & Prejudice refers to the main themes of the novel and the film, which are the personal traits and the social barriers that affect the characters' judgments, actions, and relationships. Pride can be defined as an excessive or unjustified sense of one's own worth or importance; while prejudice can be defined as an unfavorable or preconceived opinion or feeling about someone or something. The title also implies a contrast or a balance between these two concepts.
Q: Who is Mr. Darcy based on?
A: Mr. Darcy is a fictional character created by Jane Austen, who may have been inspired by some real people or events in her life. Some possible sources of inspiration are Thomas Lefroy, a young Irish lawyer who was Austen's brief love interest; Samuel Blackall, a clergyman who proposed to Austen but was rejected by her; George IV, the Prince Regent who admired Austen's novels; and Fitzwilliam Darcy, a real-life aristocrat who was Austen's distant cousin and whose name she borrowed for her character.
Q: What is the significance of the first sentence of Pride & Prejudice?
A: The first sentence of Pride & Prejudice is one of the most famous and memorable opening lines in literature. It reads: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." The sentence sets the tone and the context of the novel and the film, which are about marriage, money, and society. The sentence also introduces the irony and the humor of Austen's style, which often challenges or mocks the assumptions and the expectations of her characters and her readers. 44f88ac181
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